Belysning som konst – Hur nordiska lampor skapar stämning och karaktär

Here in the Nordic countries, where light shifts so dramatically with the seasons, a very special relationship with illumination has developed. It’s about so much more than just dispelling darkness. Nordic lighting is often viewed as an art form, a conscious way to shape the feeling and character of a room. It’s a fascinating dance between function, simplicity, and beauty, where each lamp holds the potential to transform a space into a place of calm, warmth, and inspiration. Understanding how these lamps work offers insight into a unique design philosophy, perhaps even a little piece of the Nordic soul.

Understanding the Nordic approach to light

Living in the North means adapting to the ebb and flow of light. The long, dark winters stand in stark contrast to the seemingly endless summer days, and this reality has deeply shaped the approach to indoor lighting. It’s not merely about visibility, but about creating a specific feeling. This pursuit is central to the concept of ’hygge’ – that cherished sense of warmth, security, and conviviality sought after in Nordic homes. As experts like Meik Wiking suggest, thoughtful lighting is crucial for achieving this atmosphere. The focus is less on raw power and more on the quality of light and its distribution. Often, softer, warmer light sources are favoured for inviting relaxation and togetherness, a concept explored in various Scandinavian lighting guides.

A detail considered incredibly important, often linked to ’hygge’, is the color temperature of the light. Measured in Kelvin (K), warmer light around 2700K or lower – similar to candlelight (around 2000K) – is generally perceived as more relaxing and inviting than the cooler, bluer light (closer to 6500K daylight). Nordic designers have long understood this, often working with shades and materials that soften and warm the light. Avoiding harsh, direct glare is fundamental; instead, indirect or diffused light that spreads evenly, or directed light highlighting specific areas without blinding, is preferred. As noted by Swedish design blogger Frida Ramstedt, directed light can function almost like an invisible wall, helping to define different zones within a room.

The Nordic design philosophy, which evolved through styles like Jugendstil (around 1900), Swedish Grace (1920s Art Deco interpretation), and Swedish Modern (1930s-40s functionalism), gained international acclaim mid-century. It rests on core Nordic design principles like function, simplicity, and quality. This is clearly visible in the lighting tradition. Superfluous details are stripped away, allowing form and material to speak for themselves. Natural materials like wood, glass, and metal are frequently chosen not just for their beauty but also for how they interact with light. Wood, used masterfully by companies like Secto Design, adds warmth and an organic feel, while glass can create exciting reflections and diffuse light beautifully. This minimalist yet thoughtful approach results in lamps that feel timeless and contribute to a calm, harmonious atmosphere.

Rather than relying solely on a single, strong ceiling light, which can easily create a flat environment, working with multiple light points in a room is often recommended. Think of it as creating small ’light caves’ or oases of illumination. Ideally, a room benefits from a mix of lighting types: general ambient light (often a ceiling lamp with soft diffusion), task lighting (like a reading lamp by an armchair), accent lighting (to highlight art or architectural details), and mood lighting (smaller table lamps, window lamps, or perhaps even string lights). Placing these at different heights and locations creates depth and dynamism, making the space feel more alive and interesting. Experts suggest aiming for five to seven light sources per room to achieve this effective layered effect, moving beyond mere function to shape the experience of the space.

Iconic Nordic lamps and the magic of materials

The choice of materials in Nordic lighting is rarely accidental; each carries its own narrative and influences both the lamp’s appearance and the character of the light it emits. There’s a distinct appreciation for honest materials that age gracefully. The warmth of wood, the transparency and lustre of glass, the reflections of metal – all contribute to the overall aesthetic. Even less conventional materials like bamboo are employed, sometimes treated in silver-grey hues to capture light in novel ways, as highlighted in Scandinavian light design approaches. The trend of ’naked’ bulbs, often paired with decorative textile cords, can be seen as an expression of minimalist creativity – finding beauty in simplicity, though careful placement remains crucial to avoid uncomfortable glare.

The Nordic region has fostered many outstanding designers whose lamps have become timeless icons. Danish masters like Poul Henningsen stand out; his PH lamps for Louis Poulsen, such as the PH 5 – 4 1/2 pendant, are ingenious studies in creating glare-free, pleasant light through complex multi-shade systems. His sculptural PH Artichoke (Kotten) and the layered PH Snowball are pure works of lighting art. Verner Panton’s playful Panthella floor lamp, with its organic form, truly lends character to a room. Arne Jacobsen’s sleek AJ floor and table lamps are exemplars of functional elegance, perfect as reading or work lights. And then there’s Le Klint, renowned for beautiful, hand-folded paper and plastic shades like the classic Model 101 by Kaare Klint, diffusing an incredibly soft and poetic light. Their tradition continues with newer designs and explorations in materials like brass (Le Klint 306, 349), oak (Le Klint 325), and glass (Le Klint 343). Though Finnish, Alvar Aalto’s bold and organic lamps, like the Beehive, are also vital parts of the Nordic design heritage. These designers demonstrated how lighting can be both deeply functional and a powerful aesthetic statement.

Beyond the famous names, the everyday application of Scandinavian style often relies on a consistent material palette. White finishes combined with wood details, seen in fixtures like the AZzardo Duncan pendant mentioned by retailers like Castlegate Lights note, exemplify this blend of clean modernity and natural warmth. Metals like brass or copper add touches of rustic elegance or polished sophistication, while clear or frosted glass remains popular for its light-diffusing properties. The key is balance – materials are chosen for their inherent qualities and how they contribute to a feeling of uncluttered calm and functional beauty.

Nordic light shaping spaces and embracing the future

The principles of Nordic light design – creating atmosphere, highlighting architecture, and prioritizing well-being – extend far beyond residential interiors. They are applied with great success in public environments too. The understanding that light profoundly impacts our experience is central to modern architecture and design, a field advanced by institutions like the Lighting Design Lab at KTH Royal Institute of Technology in Stockholm. Their research emphasizes light’s role in perception and psychological well-being.

Excellent examples abound in public spaces. The award-winning Drottning Silvias Concert Hall, recipient of the Nordic Lighting Prize, showcases how a fantastic atmosphere was created by balancing warm wood interiors with elegantly integrated, adaptable light—shifting from functional rehearsal lighting to atmospheric concert settings using elements like RGBW fixtures without compromising acoustics. Another impressive project is the lighting design for Mall of Scandinavia. Here, designers consciously worked with the shifts characteristic of Nordic light to create a dynamic and inviting large-scale environment, featuring a spectacular pixel ceiling with 3200 light rods that transforms the space. These projects demonstrate light’s power to shape experiences and give places a unique, memorable character.

As environmental awareness grows, so does the interest in sustainability within lighting design, aligning naturally with the Nordic respect for nature. This involves more than just energy-efficient LEDs; it encompasses designing lighting systems that consider their impact on the surrounding environment, both urban and natural. Exciting research into sustainable lighting design methods, like that conducted at KTH and involving collaboration across Nordic universities, explores how to balance human needs for light with ecological considerations, such as minimizing disruption to wildlife in urban green spaces. This interdisciplinary approach, blending design with ecology and psychology, is crucial for the future. Furthermore, making high-quality, thoughtful lighting design more accessible is key. Market initiatives like INTEC’s ’The Lighting Platform’, which acquired companies like ZENISK and founded OVAU to offer integrated solutions, aim to simplify the process. Industry events such as the Stockholm Furniture & Light Fair serve as vital hubs for showcasing and discussing new trends and innovations. These efforts collectively drive development, ensuring Nordic lighting design remains relevant, innovative, and focused on creating both beautiful and responsible light environments.

Bringing Nordic light art into your home

So, how can these ideas be applied to use lighting as art in your own home? A good starting point is to think in layers. Combine different types of lamps – perhaps a beautiful ceiling pendant for general light, a functional floor lamp by the reading chair, a few smaller table lamps creating ambiance on a shelf or side table, and maybe a wall lamp illuminating a dark corner or a piece of art. Experimenting with placement reveals how light falls and creates shadows. Consider the materials – a lamp with wood details can add warmth, while one in glass might offer a lighter feel. Inspiration can be drawn from classic and contemporary designers, perhaps by exploring selections from retailers specializing in Nordic design.

Imagine a living room setup: a softly glowing pendant like a PH 5 over the coffee table provides ambient light; a directed floor lamp such as the AJ Floor Lamp stands ready by the reading armchair for task lighting; a couple of smaller table lamps on a sideboard contribute to the mood; and maybe a discreet wall lamp highlights a favorite painting. The principles learned from large-scale projects – consciously working with light quality, direction, and adaptability to create specific experiences and promote well-being – are directly transferable to how lighting can be approached in our own homes.

Ultimately, creating a home with a Nordic feel is about crafting a personal sanctuary, a place of security and comfort. Lighting is one of the most powerful tools available to achieve this. By consciously choosing lamps that are not only beautiful objects but also cast a pleasant and atmospheric light, homes can be transformed into spaces that truly reflect personal style and invite well-being. It’s an ongoing process, a dialogue between the room, the light, and those who live there. And it’s precisely in that dialogue, as explored in cultural contexts like the ’Nordic Light’ exhibition at Nordiska museet, that lighting transcends mere function to become art – an art form enriching everyday life in subtle yet profoundly meaningful ways.